Thursday, March 21, 2024

The Jack Rubies are back for another shot

By Henry Lipput

Clocks Are Out Of Time, the terrific brand-new album from The Jack Rubies (Big Stir Records), their first in over 30 years, doesn’t turn back in the clocks in a daylight savings time sort of way as much as it continues the streak the band had in the late 80s and early 90s. Or to put it another way: 2024 is sounding a lot like 1988.

And although a lot of the music on Clocks Are Out Of Time can remind you of bands and musicians like The The, Lloyd Cole, and Nick Cave it’s important to remember that The Jack Rubies, along with others at that time, were soaking up influences not unlike the bands in the 60s; it was in the musical water supply and available for the taking. And it doesn’t hurt that the band on Clocks Are Out Of Time is composed of the original line-up of Ian Wright (lead vocals and guitar), SD Ineson (backing vocals and guitar), Steve Brockway (bass), Lawrence Giltane (percussion), and Peter Maxted (drums and also the album’s producer).

For me, there are two very different musical styles on Clocks Are Out Of Time. There’s the “slightly bruised and battered positivity,” as singer and songwriter Ian Wright put it, of the songs. On the “slightly bruised” corner is the noirish “Hark” with its line “Does anyone know the way back?” “Poltergeist” is a rollicking scare fest and “Read My Mind” is a love song doubling as a warning. Wright’s vocal does nothing to reassure the listener/target he only has good intentions.

It should come as no surprise my favorite set of songs are the ones falling under the “battered positivity” flag. Even though The Jack Rubies were a year of two late to be included in NME’s fabled original C86 collection, the songs “Angeline Soul” and “Heaven Shook Me” would have not only fit perfectly on that cassette but would have made a killer double A-side single. You can listen for yourself here:




“Heaven” is the best of the best. It has a big, brassy arrangement and tight playing by the band. It’s a glorious track and if there’s any justice in this world it should be the next single from Clocks Are Out Of Time but also a major hit.



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