By Henry Lipput
Glenn Tilbrook, lead singer, lead guitarist, and the melody half
of the Difford and Tilbrook musical partnership, didn’t make a solo album until
2001’s The Incomplete Glenn Tilbrook in between one the many Squeeze retrofittings.
But, just for the sake of argument, what if he had made such an album between
his band’s Argybargy and East Side Story?
That album would sound very much like Nick Frater’s Aerodrome
Motel (Big Stir Records). Like Tilbrook, Nick Frater is always there with a cracking tune. And his
latest, his third album in three years, is no exception.
The lead-off track from Frater’s Aerodrome Motel, “The
Pleasure is Mine,” is a perfect example, not only in the melody but also in the
vocal. It’s what Frater does best; he
adapts a style and makes it his own.
Frater has always seemed to be something of a musical magpie;
in earlier reviews (for 2020’s Fast & Loose and 2021’s Earworms [a very apt
title because that’s what his songs are] I’ve compared the sound of his songs to Raspberries, Wings, Elton John, Emitt Rhodes, and Big Star.
But the songs on Aerodrome Motel have more of a consistent
sound and in doing so make the case (whether he's aware of it or not) for the solo album Glenn Tilbrook didn’t
make. Frater’s music has always looked back to the 70s and 80s for inspiration
so it’s no surprise he’s picked one of the most melodic bands (and a specific
musician) from that era to dig into and to pay tribute.
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